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Gisela Savdie

Tomatometer-approved critic
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Reviews

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No Good Men (2026) EDIT “The performances are compelling and, despite a few melodramatic twists that verge on cliché, the film succeeds in honestly portraying the social climate of the time. [Full review in Spanish]” – El Heraldo Feb 23, 2026 Full Review Bugonia (2025) 88% EDIT “Bugonia is not an easy film, nor is it Yorgos Lanthimos’s most accomplished work, but it clearly bears his signature; it is an honest, provocative, and visionary piece. [Full review in Spanish]” – El Heraldo Feb 23, 2026 Full Review Marty Supreme (2025) 94% EDIT “As is typical in the films of the Safdie brothers, the movie plays with the perception of time; although its aesthetic evokes a specific era, the narrative feels universal, almost contemporary. [Full review in Spanish]” – El Heraldo Feb 23, 2026 Full Review Frankenstein (2025) 85% EDIT “Frankenstein is, above all, a story about fathers and sons that does not aim to surprise with the narrative — we already know the plot well — but with how it makes us feel. [Full review in Spanish]” – El Heraldo Feb 23, 2026 Full Review It Was Just an Accident (2025) 98% EDIT “The film is is a reflection on the fragility of memory, a meditation on justice, and a reminder that, even when everything is forbidden, cinema can continue to be an act of resistance. [Full review in Spanish]” – El Heraldo Feb 23, 2026 Full Review Goodrich (2024) 82% EDIT “t’s a fun, accessible, and well-acted film, with genuine moments and a cast that holds up even the weaker passages. [Full review in Spanish]” – El Heraldo Nov 23, 2025 Full Review Die My Love (2025) 74% EDIT “Despite its excesses, the film offers a valuable starting point for reflecting on depression, particularly the kind that follows childbirth—a territory still full of silences and prejudices. [Full review in Spanish]” – El Heraldo Nov 23, 2025 Full Review Belén (2025) 95% EDIT “Belén not only revisits a recent social wound but also illuminates it with sensitivity, courage, and a cinematic vision that leaves a mark. [Full review in Spanish]” – El Heraldo Nov 23, 2025 Full Review The Mastermind (2025) 90% EDIT “True to her style, the director relies on silences, minimal gestures, and the viewer’s gaze to complete the psychological portrait of a man who steals not out of ambition, but from an impulse as inexplicable as it is human. [Full review in Spanish]” – El Heraldo Nov 23, 2025 Full Review Romería (2025) 87% EDIT “It’s not a film for all audiences, nor does it try to be. It’s more a piece that asks for patience, empathy, and a certain willingness to be carried along by what goes unspoken. [Full review in Spanish]” – El Heraldo Nov 23, 2025 Full Review The Smashing Machine (2025) 71% EDIT “Safdie brings his signature realism into a more intimate universe, where physical violence merges with the emotional; the raw light and tight framing capture both the sweat of the body and the trembling of the soul. [Full review in Spanish]” – El Heraldo Nov 23, 2025 Full Review Splitsville (2025) 83% EDIT “The film questions whether fidelity and loyalty ensure stability, or if, conversely, emotional freedom entails challenges of comparable complexity. [Full review in Spanish]” – El Heraldo Oct 11, 2025 Full Review Cover-Up (2025) 98% EDIT “Cover Up offers an honest portrayal of the ethical and personal dilemmas that arise when challenging power through words. [Full review in Spanish]” – El Heraldo Oct 11, 2025 Full Review A Big Bold Beautiful Journey (2025) 37% EDIT “As time goes on, the story slips into familiar territory and ultimately gives in to sentimentality, losing some of the emotional strength it initially seemed to promise. [Full review in Spanish]” – El Heraldo Oct 11, 2025 Full Review & Sons (2025) EDIT “This is a work that weaves together dramatic tension, existential inquiry, and a subtle gesture toward science fiction, all while maintaining the human anchor that lends coherence and depth to the narrative. [Full review in Spanish]” – El Heraldo Oct 11, 2025 Full Review Nouvelle Vague (2025) 92% EDIT “The film takes us back to 1960s Paris, when improvisation—both in dialogue and in formal choices—became a driving creative force. [Full review in Spanish]” – El Heraldo Oct 11, 2025 Full Review The Life of Chuck (2024) 80% EDIT “That focus on lightness might resonate with a lot of people, but it takes away from the deeper apocalyptic vibe, and the constant highlighting of everyday moments starts to feel a bit too sweet [Full review in Spanish]” – El Heraldo Oct 11, 2025 Full Review Beloved Tropic (2024) EDIT “Favoring reflection and contemplation over melodrama, the film discovers in intimacy a space of resistance and unexpected bonds. [Full review in Spanish]” – El Heraldo Sep 8, 2025 Full Review Materialists (2025) 77% EDIT “While Materialists may not delve as deeply into emotion as Past Lives, the film still manages to capture, with wit and sharpness, the tensions of love in the age of digital dating. [Full review in Spanish]” – El Heraldo Sep 8, 2025 Full Review Holy Cow (2024) 98% EDIT “The film suggests that, in this Alpine microcosm, there is no room for sugar-coated versions of a reality that cannot be judged by urban standards. [Full review in Spanish]” – El Heraldo Sep 8, 2025 Full Review Shoshana (2023) 73% EDIT “The film subtly suggests that history repeats itself and that cycles of violence rarely lead to lasting solutions [Full review in Spanish]” – Letra Urbana Jul 30, 2025 Full Review Misericordia (2024) 94% EDIT “The interplay between life and death, between morality and justice, is constantly called into question. At times, the film turns into a thriller; at others, it becomes a satire portraying the idiosyncrasies of a small town [Full review in Spanish]” – El Heraldo Jul 30, 2025 Full Review The Penguin Lessons (2024) 78% EDIT “It’s a story that highlights compassion and moral commitment, although it falls short of exploring the political and ethical tensions of one of the darkest periods in Argentina’s history [Full review in Spanish]” – El Heraldo Jul 30, 2025 Full Review One to One: John & Yoko (2024) 90% EDIT “One to One revives a legendary concert, elegantly balancing music with the historical context, crafting a narrative that will resonate both: those who lived through that era, and the new generations. [Full review in Spanish]” – El Heraldo Jul 30, 2025 Full Review All We Imagine as Light (2024) 100% EDIT “In times when reality asserts itself harshly, Kapadia reminds us that dreaming is also a form of resistance [Full review in Spanish]” – El Heraldo Jul 30, 2025 Full Review
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