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Pablo O. Scholz

Pablo O. Scholz's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Good Luck, Have Fun, Don't Die (2025) 83% 3/4 EDIT “The film is ultimately pure entertainment, a madcap comedy with a frenetic pace, surprises around every corner, and a somewhat comic-book structure. [Full review in Spanish]” – Clarín Apr 11, 2026 Full Review La casaca de Dios (2026) 4/4 EDIT “The film blends comedy, though not the everyday-life kind, with drama that's refreshingly unpolished but never especially deep. [Full review in Spanish]” – Clarín Apr 10, 2026 Full Review Torrente Presidente (2026) 3/4 EDIT “Perhaps because Torrente specializes in destroying Spanish stereotypes...Torrente Presidente can elicit laughter even from those who are not fans of his or who come to a cinema for the first time to see him. [Full review in Spanish]” – Clarín Apr 9, 2026 Full Review The Drama (2026) 77% 3/4 EDIT “The Drama is like a dissection of a couple which everyone saw as "the" perfect couple. It's provocative, raises a moral question, and stars Zendaya and Robert Pattinson. What more could you ask of a film to make it successful? [Full review in Spanish]” – Clarín Apr 9, 2026 Full Review Father Mother Sister Brother (2025) 83% 3/4 EDIT “Many of Jarmusch's best works...are those in which he chooses this minor-key tone, without pretension, straightforward and simple. This one, though somewhat uneven, is one of those, full of simplicity and feeling. [Full review in Spanish]” – Clarín Apr 9, 2026 Full Review The Giant Falls (2026) 3/4 EDIT “And when [Marcos Carnevale] tackles sensitive subjects...he demonstrates, as almost always, a mastery of emotion without resorting to sentimentality. That's no easy feat. [Full review in Spanish]” – Clarín Apr 3, 2026 Full Review How to Make a Killing (2026) 43% 3/4 EDIT “Revenge and greed are two nouns that, combined, can make for great movies. The new Glen Powell film, How to Make a Killing, is a testament to that. [Full review in Spanish]” – Clarín Apr 2, 2026 Full Review The Super Mario Galaxy Movie (2026) 43% 3/4 EDIT “As expected, the huge success of The Super Mario Bros. Movie exactly three years ago was going to spawn a sequel, and here it is...[Full review in Spanish]” – Clarín Apr 1, 2026 Full Review Protector (2025) 21% 2/4 EDIT “Protector is a showcase of violence, from cold-blooded and hot-blooded murders to various forms of torture and more or less moronic dialogue. [Full review in Spanish]” – Clarín Mar 27, 2026 Full Review Nuremberg (2025) 71% 3/4 EDIT “And even though the verdict is known to everyone, it is still a neat, but simple film in its portrayal of what happened during those days. [Full review in Spanish]” – Clarín Mar 26, 2026 Full Review They Will Kill You (2026) 64% 2/4 EDIT “Perhaps a lot happens in They Will Kill You. Probably too many. [Full review in Spanish]” – Clarín Mar 26, 2026 Full Review Turbulence (2025) 33% 3/4 EDIT “...Turbulence is what it is, a thriller with surprises as the plot unfolds that doesn't get tiresome, but doesn't leave you completely satisfied either. [Full review in Spanish]” – Clarín Mar 20, 2026 Full Review Peaky Blinders: The Immortal Man (2026) 90% 3/4 EDIT “...it doesn't bring anything new to the table, nor does it add anything to the saga as an elegy. It's more of an XL episode...than a standalone film. [Full review in Spanish]” – Clarín Mar 20, 2026 Full Review Project Hail Mary (2026) 94% 4/4 EDIT “The film is long (over two and a half hours), but the pace never falters. [Full review in Spanish]” – Clarín Mar 19, 2026 Full Review La Grazia (2025) 87% 4/4 EDIT “Sorrentino/Servillo's portrayal of De Santis is meticulous, rich in nuances, and allows the viewer to immediately empathize with him. If you love Sorrentino, you'll love this film. [Full review in Spanish]” – Clarín Mar 19, 2026 Full Review Ready or Not 2: Here I Come (2026) 73% 3/4 EDIT “If you saw the first one, you'll probably see the sequel. And if you didn't see it, don't think you won't understand anything, because this is Hollywood and they're increasingly handing everything to the viewer on a silver platter.[Full review in Spanish]” – Clarín Mar 19, 2026 Full Review Shelter (2026) 65% 3/4 EDIT “Director Ric Roman Waugh...focuses on action scenes, but it's the gentle and affectionate side of Statham's character that elevates the film. [Full review in Spanish]” – Clarín Mar 12, 2026 Full Review The Testament of Ann Lee (2025) 86% 2/4 EDIT “The film has some very well-shot sequences, from the camera work, and they are powerful, but what ultimately prevails is a kind of pastiche, not kitsch, but not easy for everyone to digest. [Full review in Spanish]” – Clarín Mar 12, 2026 Full Review Reminders of Him (2026) 57% 3/4 EDIT “Reminders of Him is a romantic drama, the kind that could even be turned into an evening soap opera. [Full review in Spanish]” – Clarín Mar 12, 2026 Full Review Calle Málaga (2025) 97% 3/4 EDIT “[Carmen Maura] continues to be captivating whenever she appears on screen. And this film practically demands her presence, so enjoy it for that reason alone. [Full review in Spanish]” – Clarín Mar 9, 2026 Full Review Dead of Winter (2025) 76% 2/4 EDIT “Death of Winter holds up well, even very well, one might say, until it doesn't. When Thompson steps into Liam Neeson's shoes, the inconsistencies in the fight scenes begin to surface. [Full review in Spanish]” – Clarín Mar 9, 2026 Full Review Our Land (2025) 94% 4/4 EDIT “The film serves as testimony, and Martel keeps the tension high until the end of the trial...[Full review in Spanish]” – Clarín Mar 6, 2026 Full Review Hoppers (2026) 94% 4/4 EDIT “Hoppers is hilarious. [Full review in Spanish]” – Clarín Mar 6, 2026 Full Review THE BRIDE! (2026) 57% 3/4 EDIT “In The Bride, [Jessie Buckley] delivers another phenomenal performance, and it's safe to say the film wouldn't be what it is without her as The Bride (and Mary Shelley). [Full review in Spanish]” – Clarín Mar 6, 2026 Full Review Firebreak (2026) 3/4 EDIT “Firebreak is one of those movies that seems to be going in one direction, but then twists your attention in another. [Full review in Spanish]” – Clarín Mar 3, 2026 Full Review
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