Elle

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Juris O @Juris100 Aug 11 I finished watching the film but still felt like I wasted my time. See more Kyle M @RT77296778 Apr 26 Could’ve remained strung on the Hitchcockian thread, but the gradually problematic thriller-turned-odyssey in studious form of enabled psychoanalysis still creates an unprecedented narrative for Paul Verhoeven’s downscaled vision relying through Isabelle Huppert’s receptively ranging performance. (B) See more thiago S @Thiagostone Apr 13 Filme fraco, o roteiro é fraco, as cenas são fracas, a história é fraca, o elenco é fraco, e ninguém ajuda a melhorar o filme, os personagens são fracos, e o filme deveria ter cenas bem melhores e relevantes, para fazer o filme ser bom See more noa r @RT16325647 04/10/2024 started well. though once all was revealed, it wasn't exactly what i was in the mood for and found it to be very weird. i was confused on what the message of the story was. was it a character study? just a erotic thriller? isabelle huppert is still able to steal the screen though. superb performance! See more Alec B @Alec97 12/14/2023 Like all of Verhoeven's best films, "Elle" is transgressive and constantly defies expectations. It's a unique work, one that's very much a product of the current culture and a rebellion against it. Huppert's performance deserves to be studied for years to come. See more Danielle T @RT65902796 10/17/2023 Avec cette histoire d'une femme qui, après avoir été violée chez elle, recherche son agresseur plutôt que d'aller à la police, le nouveau film de Paul Verhoeven est tout sauf un banal récit de vengeance. Sobre en apparence, la mise en scène, à l'instar de la protagoniste, ne dévoile que graduellement son infinie complexité. Les retournements de situation abondent, ceux-ci ouvrant systématiquement sur davantage d'ambiguïtés dans la personnalité d'une héroïne fabuleusement atypique. D'un détachement inquiétant, Isabelle Huppert rend Michèle plus difficile à déchiffrer encore que ses autres personnages aux tendances sociopathes vus dans Violette Nozière et Merci pour le chocolat, de Claude Chabrol, et aussi dans La pianiste, de Michael Haneke. Il s'agit, à n'en pas douter, d'une rencontre au sommet. See more Read all reviews

Elle

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