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MovieJawn

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Rating Title | Year Author Quote
Exit 8 (2025) Jess Saunders A perfect little horror treat to watch with a crowd
Posted Apr 11, 2026  Edit critic review
Vampires of the Velvet Lounge (2026) Christopher La Vigna Vampires of The Velvet Lounge fails to give us anything to sink our teeth into.
Posted Apr 11, 2026  Edit critic review
Dead by Dawn (undefined) Allie Lembo A giallo-inspired slasher with fun, albeit rehashed kills
Posted Apr 11, 2026  Edit critic review
Jimmy & The Demons (2025) Ashley Morales Depicts an artist whose passion can inspire a generation
Posted Apr 11, 2026  Edit critic review
Haunters of the Silence (2025) Ashley Morales A nightmare soundscape on a microbudget
Posted Apr 11, 2026  Edit critic review
Mr. Nobody Against Putin (2025) Ian Hrabe A haunting depiction of the reality of war
Posted Apr 11, 2026  Edit critic review
Marc by Sofia (2025) Liz Ruse A beautiful look into the great mind of Marc Jacobs and the glorious career he built
Posted Apr 11, 2026  Edit critic review
Faces of Death (2026) Rachel Shatto Faces of Death (2026) doesn’t quite stitch together neatly in the end, but it’s just nasty and disturbing enough to thrill.
Posted Apr 11, 2026  Edit critic review
The Serpent's Skin (2025) Heidi Krull Great trans representation, but the dialogue leaves room for improvement
Posted Apr 04, 2026  Edit critic review
13 Days 13 Nights (2025) Andrea Schmidt A strange political vacuum exists in the film and the audience is left with two hours of mind-numbing French nationalism and copaganda.
Posted Apr 04, 2026  Edit critic review
The Blue Trail (2025) Jill Vranken At its best, offers a lifeline in a world where we seem to be increasingly losing the right to choose our future.
Posted Apr 04, 2026  Edit critic review
A Magnificent Life (2025) Colton Peregoy A satisfying watch for any fans of French cinema and its historic influence over the medium as a whole.
Posted Apr 04, 2026  Edit critic review
Mr. Burton (2025) Fiona Underhill Mr. Burton is the kind of small, quiet British film that isn’t going to rock anyone’s world or make a huge impact. But if you’re interested in acting—not just in film, but theater too—it’s definitely worth a watch.
Posted Apr 04, 2026  Edit critic review
Long Time Listener (2026) Tim Stevens Long Time Listener can’t hold its audience’s attention even in its final bloody and twist-filled finale.
Posted Apr 04, 2026  Edit critic review
Fantasy Life (2025) Sankeerthna Vedamtam Full of watch-worthy, bittersweet charm.
Posted Mar 28, 2026  Edit critic review
She Dances (2025) Matt Campbell A movie that acknowledges the complexity of life, the ups and the downs, and lives in that complexity, but also shows that, through the strength of our community around us, the only way forward is through.
Posted Mar 28, 2026  Edit critic review
Forbidden Fruits (2026) Avery Coffey A fun movie that dares to be different.
Posted Mar 28, 2026  Edit critic review
Lady Parts (2024) Chelsea Alexandra Lady Parts is an impressive film featuring winning performances and chemistry within its cast.
Posted Mar 28, 2026  Edit critic review
Revelations of Divine Love (2025) Harper Rochel Goldman Clever stylistic choices, combined with the stagey art direction by Grant Stoops and eerie score by Zachary Koeber, is an effect nothing short of mesmerizing.
Posted Mar 28, 2026  Edit critic review
Ready or Not 2: Here I Come (2026) Mike Patrick A bonkers good time from start to finish.
Posted Mar 28, 2026  Edit critic review
Kontinental '25 (2025) Aaron Guttenplan Worth seeing to get a taste of Radu Jude, but diehard fans of the director might be looking for something meatier.
Posted Mar 28, 2026  Edit critic review
Recollection (2025) Katharine Mussellam While I could get on board with the film's themes and message, these sometimes felt a little too obvious and were communicated by occasionally clunky dialogue
Posted Mar 20, 2026  Edit critic review
The Forbidden City (2025) Sankeerthna Vedamtam A film worth seeing again and again.
Posted Mar 20, 2026  Edit critic review
Tow (2025) Kate Beach Byrne is, as she’s shown us time and again, exceptional.
Posted Mar 20, 2026  Edit critic review
Project Hail Mary (2026) Lindsey Romain An energizing tale about unexpected purpose that will satisfy readers and leave you with a sweet little lump in your throat.
Posted Mar 20, 2026  Edit critic review
1000 Women in Horror (2025) Samantha McLaren Not as comprehensive as the name may suggest, but it’s still an entertaining and validating primer that will leave you with a few more titles on your watch list.
Posted Mar 20, 2026  Edit critic review
Cornbread Mafia (2026) Carmen Paddock Heartfelt, humorous, and a great watch throughout its relatively brief run time, Cornbread Mafia celebrates all-American ingenuity
Posted Mar 20, 2026  Edit critic review
undertone (2025) Darian Davis An immersive and chilling theater-going experience that’s worth trading a small screen for a big one.
Posted Mar 14, 2026  Edit critic review
Slanted (2025) Harper Rochel Goldman Even when the satire feels reheated, you never lose the sense that you’re watching something fresh and bold.
Posted Mar 14, 2026  Edit critic review
Bodycam (2025) Samantha McLaren Don’t expect the script to live up to all its promise, because this feels a little like a first draft.
Posted Mar 14, 2026  Edit critic review
The House Was Not Hungry Then (2025) Samantha McLaren Creative flourishes, along with the evolving natural light throughout the day, help to inject life into a film that should, on paper, feel entirely static.
Posted Mar 14, 2026  Edit critic review
Cuisine de la 'Pocalypse (2025) Kevin Fox Jr. Very funny at times, and appears like it was fun to make, Cuisine de la ‘Pocalypse left me wanting for something more thematically coherent or technically excellent.
Posted Mar 14, 2026  Edit critic review
The Optimist: The Bravest Act Is Truth (2023) Dominic Dante Rembert The Optimist is an important film that can make you sympathetic to the struggle of others and look inwards to any buried traumas of one's own.
Posted Mar 14, 2026  Edit critic review
Nadja (1994) Shayna Davis All in all, Nadja successfully serves as a spiritual sequel to Dracula while still being a total mood piece.
Posted Mar 07, 2026  Edit critic review
All is Fine in '89 (2024) Chelsea Alexandra All Is Fine in ‘89 feels like a pop song. It’s bright, catchy, and familiar.
Posted Mar 07, 2026  Edit critic review
Disneyland Handcrafted (2026) Michaela El-Ters Disneyland Handcrafted achieves what it sets out to do: painstakingly, lovingly preserve the beautiful footage of the incredible hard work, artistry, and dedication that brought Disneyland to life.
Posted Mar 07, 2026  Edit critic review
The Hermit (2025) Elijah Fischer The Hermit walks the middle of the road in a deeply unsatisfying way.
Posted Mar 07, 2026  Edit critic review
Make Me Famous (2021) Heidi Krull Make Me Famous takes the audience on a hilarious, tragic, and special journey highlighting the trials Edward Brezinski experienced as an artist in poverty.
Posted Mar 03, 2026  Edit critic review
Queen Kelly (1929) Rosalie Kicks Queen Kelly is very much a mystifying artifact of a bygone era of Hollywood filmmaking that was filled with decadence, extravagance, and outlandish storylines.
Posted Feb 27, 2026  Edit critic review
K-Pops! (2024) Harper Rochel Goldman K-Pops! is charming!
Posted Feb 27, 2026  Edit critic review
EPiC: Elvis Presley in Concert (2025) Rosalie Kicks Presley’s recordings are now passed down like a holy grail from one generation to the next and help keep his spirit alive. In many ways, it is like he never left the building at all.
Posted Feb 27, 2026  Edit critic review
Horror Noire: A History of Black Horror (2019) Sankeerthna Vedamtam Horror Noire accomplishes an excellent, consistent documentary style that constantly cuts together reel and real life to show how Black horror has always been political and entertaining as hell.
Posted Feb 27, 2026  Edit critic review
The Dreadful (2026) Allie Lembo Although The Dreadful doesn’t have the staying power of the fantasy it so clearly admires and draws upon, it’s a well-paced experience with majestic pastoral and bloody visuals that may enchant if seen on the big screen.
Posted Feb 20, 2026  Edit critic review
How to Make a Killing (2026) Chelsea Alexandra How to Make a Killing enters the world of the ultra-rich with a darkly comedic edge - one part Succession and one part American Psycho.
Posted Feb 20, 2026  Edit critic review
Kokuho (2025) Janet Reinschmidt Lee Sang-il lavishly explores the dedication, pain, and sacrifice it takes to become the titular Kokuho, or national treasure.
Posted Feb 20, 2026  Edit critic review
Voice of Shadows (2023) Joe Carlough Voice of Shadows was fun to watch and well made, but there’s just not a lot of meat on these bones. It’s not a particularly original story, and, while it’s well made for a low budget affair, I would call it fun, or scary, or thought provoking.
Posted Feb 20, 2026  Edit critic review
Wuthering Heights (2026) Melissa Strong Wuthering Heights is a sexy Valentine’s weekend movie that doesn’t take itself too seriously. As a valentine to its source material, it does not take itself seriously enough.
Posted Feb 14, 2026  Edit critic review
By Design (2025) Elijah Fischer Kramer’s theatrical direction always lends itself to the kinds of stories she wants to tell, but By Design feels like new ground has been broken.
Posted Feb 14, 2026  Edit critic review
An American Pastoral (2024) Ryan Silberstein While much of An American Pastoral is enraging, it is also energizing.
Posted Feb 14, 2026  Edit critic review
Honey Bunch (2025) Vannah Taylor For anyone who has asked their fair share of "will you still love me if…" type questions, or wondered how far you’d go to have the love of your life stay by your side, Honey Bunch is the perfect film to sit down with for date night.
Posted Feb 14, 2026  Edit critic review
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