The Fugitive Kind

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Michael S May 12 This is one of my favorite films even though it is very strange and flaw it is an exceptional 50's film noir from the mind of Tennessee Williams. The author actually wrote different versions of this play and there was a Broadway revival in 1989 that was made into a film in 1990, Orpheus Descending, staring Vanessa Redgrave. In interesting to view both versions and see how different directors handle the same material in their respective time periods. Anyway, don't let the poor reviews keep you from watching this unusual film as the performances are amazing by everyone in the cast and you will have certain scenes stuck in your movie memory forever. See more r96 s 02/09/2025 'The Fugitive Kind' is just a bit too slow for me, I almost did enjoy it mind you. Marlon Brando and Anna Magnani are the stars and I did buy into their relationship by the conclusion; which, by the way, goes from 0 to 60 real quick! It is a solid ending though. What precedes just meanders a little too much, for my liking at least. There were periods where I was locked on to events onscreen, though the down moments were quite noticeable too, unfortunately, and when all is said and done the latter probably outweighs the former. See more Franky L @kungfugrandma 04/03/2024 This movie showed the ugly side of people, and the rampid discrimination against all kinds in the 1950s south. Marlon Brando showed his superb acting in this almost film noir. A mustxwatch for Brando fans. See more Steve D 07/12/2023 Not a lot here despite the great cast. See more Martin B 02/01/2023 Absolutely riveting. The perfectly cast aging Magnani, tortured and looking for anything to make her want to live her life once again my favorite. Brando and Woodward brilliant as well. It's about the dialogue you have to be paying attention. Not a particular fan of Brando movies he's critical to make this movie work. My favorite Brando movie. See more Lauren D @Babayaga94 10/07/2022 A Tennessee Williams work, based on Orpheus Descending and, like all his work, it's dark and steamy, disturbing and heartbreaking. It may come as a surprise to those watching the film for the first time just how modern its themes are. There are those who say Lumet's direction was off-key, but I disagree. It's a slow burn, filled with foreshadowing. The tragic ending is inevitable from the opening scene. Marlon Brando is perfectly cast as the still-waters-run-deep loner with a sexuality he can neither hide or escape despite his (at least in the beginning of the film) strange innocence. Is he dangerous, a kind of sexual demon-savant? Or a holy philosophical fool? Joanne Woodward is an acting revelation - profoundly vulnerable, broken, and alluring at the same time. Anna Magnani's performance of repressed rage and hurt will haunt you. Maureen Stapleton is a dollop of magical purity. In short, be warned, but watch it. "You've been a witnesss, and you know." See more Read all reviews

The Fugitive Kind

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