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Brian Tallerico

Tomatometer-approved critic

Reviews

Movies TV Shows
Thrash (2026) 36% 1.5/4 EDIT “Its worst sin isn’t its stupid characters doing stupid things; it’s that the whole thing feels remarkably lazy, failing to find any tension or even B-movie thrills. ” – RogerEbert.com Apr 10, 2026 Full Review Exit 8 (2025) 95% 2.5/4 EDIT “Still, there’s just enough for fans of the game or modern horror to chew on. If you wait to see it until PVOD or streaming, try watching it on a subway train on your way to work for maximum impact.” – RogerEbert.com Apr 10, 2026 Full Review Faces of Death (2026) 69% 3/4 EDIT “It becomes a heady swirl of themes and ideas: the moderator of the online age fighting back against what this dark time has birthed.” – RogerEbert.com Apr 10, 2026 Full Review The Shitheads (2026) 73% EDIT “It’s a clever flick with an undercurrent of social commentary about how the bar for just being considered worthwhile in this world can depend on the size of your inheritance.” – RogerEbert.com Apr 7, 2026 Full Review Stormbound (2026) EDIT “The power of a storm can be breathtaking on its own. The movie didn’t need to add so much to try to make it so.” – RogerEbert.com Apr 3, 2026 Full Review My Brother's Killer (2026) EDIT “It often struggles with over-direction, but it undeniably tells a powerful story that still resonates today. ” – RogerEbert.com Apr 3, 2026 Full Review Cornbread Mafia (2026) EDIT “There are aspects of the film that feels a bit underdeveloped, but it maintains a consistent tone in a way that makes it never boring. ” – RogerEbert.com Apr 3, 2026 Full Review The Dads (2026) EDIT “Seeing the men and their children speak in June 2024 about their hope for the future when the Democrats are re-elected to the White House has a bitter poignancy.” – RogerEbert.com Apr 3, 2026 Full Review Adam's Apple (2026) EDIT “It also becomes a document of parenthood and growth that’s often not about being young and trans as much as it is the universal blend of pride and grief that comes with saying goodbye to a child. I” – RogerEbert.com Apr 3, 2026 Full Review American Dollhouse (2026) EDIT “The leads commit fully but Valley the writer often doesn’t give them enough to hold onto, making them dolls in his own under-furnished house.” – RogerEbert.com Apr 3, 2026 Full Review Serling (2026) EDIT “Ultimately, ‘Serling’ will work best for fans of its subject. ” – RogerEbert.com Mar 30, 2026 Full Review Drag (2026) 93% EDIT “It’s a movie that starts with a clever conceit but devolves into something so brutal and downright mean that it leaves a bad taste in your mouth. ” – RogerEbert.com Mar 24, 2026 Full Review DreamQuil (2026) 36% EDIT “What would you do if you were replaced by an AI version of yourself? These are questions at the core of this 'Black Mirror' premise, but Prager doesn’t add enough new to the conversation.” – RogerEbert.com Mar 24, 2026 Full Review Never After Dark (2026) 100% EDIT “Hoshi’s deeply present, engaged performance is one of the main reasons 'Never After Dark’ works so well, but it’s also an undeniably well-made piece of horror filmmaking in terms of craft. ” – RogerEbert.com Mar 24, 2026 Full Review Brian (2026) 100% EDIT “We may not all be able to see ourselves in the quirky Brian, but it’s the film’s desire to be specific instead of some idea of universal that makes it work.” – RogerEbert.com Mar 24, 2026 Full Review Seekers of Infinite Love (2026) 80% EDIT “Clearly, this ensemble knows how to sell a broad comedy that features pit stops at a fat camp and a car chase after a child is kidnapped, but they can’t push through the sitcomish nature of the overall script enough to sell it.” – RogerEbert.com Mar 24, 2026 Full Review Basic (2026) 100% EDIT “The first half can feel a little thin, and the whole thing relies way too much on voiceover, but that falls away with Meester and Park’s comic chemistry as two very different women who discover their common ground.” – RogerEbert.com Mar 24, 2026 Full Review They Will Kill You (2026) 63% 2/4 EDIT “ In the end, it’s just not creative or confident enough to kill its many flaws.” – RogerEbert.com Mar 19, 2026 Full Review Hokum (2026) 96% 3.5/4 EDIT “'Hokum’ isn’t a slow burn, but one of its strengths is how it slides in and out of shocking images and dread-filled atmosphere.” – RogerEbert.com Mar 19, 2026 Full Review Mike & Nick & Nick & Alice (2026) 78% 3/4 EDIT “It’s a comedy that’s consistently displays its eccentric personality but rarely feels like it’s desperately pushing a punchline for a laugh.” – RogerEbert.com Mar 19, 2026 Full Review Monitor (2026) EDIT “It wades into the increasingly crowded genre of how the internet is going to kill us, but with too little thematic exploration or impressive craft. ” – RogerEbert.com Mar 19, 2026 Full Review Sender (2026) 46% EDIT “The problem is that too many of Goldman’s choices as a director seem to actively be working against what Britt Lower brings to his interesting script” – RogerEbert.com Mar 19, 2026 Full Review Imposters (2026) 100% EDIT “It’s a film rich with ideas, and its two leads never falter. ” – RogerEbert.com Mar 19, 2026 Full Review Black Zombie (2026) 100% EDIT “I still love zombie movies. I think Bedward does, too. She’s just made a film that allows you to love them in a different context.” – RogerEbert.com Mar 19, 2026 Full Review Family Movie (2026) 92% EDIT “It’s very cool that the Bacons are so supportive and collaborative. Sadly, that can’t be all to hold onto in a movie.” – RogerEbert.com Mar 19, 2026 Full Review
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