More
Certified fresh picks
New TV Tonight
-
Bridgerton: Season 4
79% -
Paradise: Season 2
89% -
Scrubs: Season 1
89% -
The Fall and Rise of Reggie Dinkins: Season 1
100% -
The Gray House: Season 1
-- -
Monarch: Legacy of Monsters: Season 2
-- -
The CEO Club: Season 1
-- -
CIA: Season 1
-- -
The Greatest Average American: Season 1
--
Most Popular TV on RT
-
A Knight of the Seven Kingdoms: Season 1
93% -
56 Days: Season 1
64% -
The Night Agent: Season 3
83% -
How to Get to Heaven From Belfast: Season 1
93% -
Love Story: Season 1
81% -
The Pitt: Season 2
99% -
Under Salt Marsh: Season 1
100% -
Scrubs: Season 1
89% -
Unfamiliar: Season 1
83%
More
Certified fresh pick
Columns
Guides
-
25 Margaret Qualley Movies & Shows Ranked
Link to 25 Margaret Qualley Movies & Shows Ranked -
All A24 Movies Ranked by Tomatometer
Link to All A24 Movies Ranked by Tomatometer
Hubs
-
What to Watch: In Theaters and On Streaming
Link to What to Watch: In Theaters and On Streaming -
Awards Tour
Link to Awards Tour
RT News
-
Watch: Ready or Not 2: Here I come Exclusive Sneak Peek
Link to Watch: Ready or Not 2: Here I come Exclusive Sneak Peek -
Weekend Box Office: GOAT Comes From Behind to Take Down Wuthering Heights
Link to Weekend Box Office: GOAT Comes From Behind to Take Down Wuthering Heights
Cinema Papers
Cinema Papers is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Adrian Martin, David Stratton, Jim Schembri.
| Rating | Title | Year | Author | Quote |
|---|---|---|---|
| Luigi's Ladies (1988) | Jim Schembri |
In a word, what the film basically lacks is scope.
Posted May 27, 2020
|
|
| Emmanuelle (1974) | David Stratton |
I can't say I found the film boring, not for one moment.
Posted May 13, 2020
|
|
| The Bounty (1984) | Jim Schembri |
For a film that tries so hard to follow a 'mass appeal' format, The Bounty fails to consolidate properly each of the formula's ingredients to offer anything special or memorable to the audience it is so eager to capture.
Posted May 13, 2020
|
|
| Freedom (1982) | Jim Schembri |
Impressive packaging, however, cannot compensate for the manner in which Freedom disregards the promise and interest cultivated in its early developments.
Posted May 13, 2020
|
>