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William Bibbiani

Tomatometer-approved critic

Reviews

Movies TV Shows
ChaO (2025) 84% EDIT “Whether the love story completely works or not, 'ChaO' is such a visual wonder that it hardly matters. It’s a lush and emotional and, despite the sugar-addled intensity Yasuhiro Aoki crams into every scene, oddly inviting.” – TheWrap Apr 10, 2026 Full Review Thrash (2026) 36% EDIT “If logic had anything to do with it, that would mean 'Thrash' was a bad movie. But logic has no place in these soggy halls. 'Thrash' may be arbitrary but it’s too energetic to be bad.” – TheWrap Apr 10, 2026 Full Review Exit 8 (2025) 95% EDIT “'Exit 8' isn’t just one of the best video game adaptations. It might actually be the best so far.” – TheWrap Apr 9, 2026 Full Review Faces of Death (2026) 69% EDIT “On one hand, Goldhaber’s film is a terrifying, stark, oppressive horror film that outscares the other modern slashers. On the other it’s an intelligent treatise on the grim obsession we have with being obsessively grim.” – TheWrap Apr 6, 2026 Full Review The Super Mario Galaxy Movie (2026) 43% EDIT “So lacking in substance and purpose that after a while you can’t even hear the dialogue over the incessant sound of Aristotle’s ghost punching himself.” – TheWrap Mar 31, 2026 Full Review The Drama (2026) 77% EDIT “It’s disquieting, and even though it’s also riveting, it’s difficult to shake the sense that everyone is getting away with something they shouldn’t.” – TheWrap Mar 31, 2026 Full Review The Serpent's Skin (2025) 94% EDIT “All the inspirational, kitschy parts of your favorite nostalgic fare in a mature, sensitive motion picture with indie credibility. Sure, it’s cheap, but it wears its cheapness like a badge of honor. If this is the future of cinema, I say bring it on.” – TheWrap Mar 28, 2026 Full Review The Fox (2026) EDIT “Courtney plays a big ol’ sack of crap in 'The Fox,' but there’s a dorky honesty to his performance that makes you pity him, no matter how bad he screws up.” – TheWrap Mar 19, 2026 Full Review Slanted (2025) 69% EDIT “It’s only the plot that runs into trouble, since it leads 'Slanted' to carefully tackle some serious issues, but overlook or airball some others. When viewed from different angles the film is either a fascinating success or a gigantic misfire.” – TheWrap Mar 19, 2026 Full Review The Gates (2026) 52% EDIT “'The Gates' is constantly on the verge of getting better, sometimes on the verge of getting good, but it never quite gets there. It’s a missed opportunity for thrills, social commentary, humor and/or horror.” – TheWrap Mar 13, 2026 Full Review Reminders of Him (2026) 57% EDIT “It’s a whole lot of pretty good and not a lot of amazing, but hey, remember how Tyriq Withers also starred in 'Him?' No one can say they got the title wrong.” – TheWrap Mar 11, 2026 Full Review Project Hail Mary (2026) 94% EDIT “Watching Grace and Rocky talking science, doing science and exploring the parallels between their cultures evokes the very best parts of 'Star Trek.'” – TheWrap Mar 10, 2026 Full Review War Machine (2026) 69% EDIT “If you can accept the fact that it’s big, silly and brainless, and nowhere near as good as its obvious influences, and also that it’s shameless propaganda, it’s still possible to have a good time.” – TheWrap Mar 6, 2026 Full Review THE BRIDE! (2026) 57% EDIT “The good news, for a lot of people, is that Gyllenhaal just made your new favorite movie. The bad news is … hang on, let me see if I can find any … no, I got nothing. There is no bad news.” – TheWrap Mar 4, 2026 Full Review Hoppers (2026) 94% EDIT “'Hoppers' isn’t just James Cameron’s 'Avatar' if it had feelings, it’s also James Cameron’s 'Avatar' if it was good.” – TheWrap Mar 2, 2026 Full Review The Dreadful (2026) 36% EDIT “'The Dreadful' is worth watching for Harden’s perfidious performance alone. And whenever she’s not on-screen it’s worth the wait.” – TheWrap Feb 28, 2026 Full Review Scream 7 (2026) 30% EDIT “It’s not that 'Scream 7' is a bad "Scream" movie. There are no bad 'Scream' movies (yet). Even the worst one is kind of alright, and this is the worst one.” – TheWrap Feb 26, 2026 Full Review The Bluff (2026) 54% EDIT “'The Bluff' isn’t a bad pirate movie. If anything, it has so little competition these days that it’s probably 'the best pirate movie in years' by default. But that’s damning the film with faint praise, or possibly praising it with faint damnation.” – TheWrap Feb 23, 2026 Full Review Jane Austen's Period Drama (2024) EDIT “The cinematic flourishes go a long way towards elevating 'Jane Austen’s Period Drama' beyond what could have been just a memorable 'Saturday Night Live' sketch, and into a truly brilliant short comedy.” – TheWrap Feb 20, 2026 Full Review Two People Exchanging Saliva (2024) EDIT “Lushly photographed, sensitively acted and delicately balanced between its love, tragedy and satire.” – TheWrap Feb 20, 2026 Full Review Butcher's Stain (2025) EDIT “It’s such a tightly-woven net that Levinson-Blount’s film seems almost inescapable, yet the film’s smart ending reveals that 'Butcher’s Stain' has a bitter sense of humor. And the final shot puts it all in a haunting, stark relief.” – TheWrap Feb 20, 2026 Full Review A Friend of Dorothy (2025) EDIT “A kindhearted, excellently crafted tearjerker. It’s also a little cliché and heavy-handed, but that’s no great sin when the storytelling is genuine and the emotions are earned.” – TheWrap Feb 20, 2026 Full Review The Singers (2026) 90% EDIT “Davis, who also edited and photographed 'The Singers,' does an inspiring job of evoking a dreary atmosphere, then piercing it with the unlikely power of song. [...] It’s glorious.” – TheWrap Feb 20, 2026 Full Review Children No More: Were and Are Gone (2025) EDIT “One of the film’s subjects says that 'It will take generations to understand the denial we’re in.' When that day comes, docs like 'Children No More: Were and Are Gone' will illuminate the shocking mentalities of this era.” – TheWrap Feb 20, 2026 Full Review All the Empty Rooms (2025) 92% EDIT “It’s not self-congratulatory — that would be repugnant, so don’t worry, the focus is still the children and their families — but Hartman is on a journey, and that journey changed him and his photographer.” – TheWrap Feb 20, 2026 Full Review
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